Opus Clavicembalisticum
Geoffrey Douglas Madge (piano)
Royal Conservatory Series (Keytone Records): RCS4-800 (4LPs) (September 1983)
Web page for Royal Conservatory Series (Keytone Records)

Duration: 230:16
Comments: Madge’s Utrecht performance of
Opus Clavicembalisticum.
Track listing
- Track 1-12: Opus Clavicembalisticum (230:16)
- Track 1: I Introito (2:55)
- Track 2: II Preludio-Corale (13:51)
- Track 3: III Fuga I quator vocibus (10:51)
- Track 4: IV Fantasia (5:35)
- Track 5: V Fuga II duplex (15:06)
- Track 6: VI Interludium primum (Thema cum XLIX variationibus) (47:46)
- Track 7: VII Cadenza I (4:25)
- Track 8: VIII Fuga tertia triplex (32:23)
- Track 9: IX Interludium alterum (53:36)
- Track 10: X Cadenza II (2:49)
- Track 11: XI Fuga IV quadruplex (33:30)
- Track 12: XII Coda-Stretta (7:29)
Reviews
- “Madge’s ability … impressive in the extreme … throughout, there persists a sense of flow … continuity … overall form … this set is a must” (American Record Guide)
- “… Madge has triumphantly accomplished the impossible … clearly, this is music with a future … the boxed set is rounded out with an illustrated brochure featuring all too brief annotations by Madge and preeminent Sorabjists … this stupendous musical edifice … a very fine representation of OC … overall, (Madge) is extraordinary … a long overdue tribute …” (Fanfare)
- “… fascinated by this titanic showpiece … Madge’s playing consistently … as purposeful … as Sorabji’s 248-page score … astounding document” (High Fidelity)
- “… the boxed set is tasteful … sound quality: excellent …” (Journal of the American Liszt Society)
- “Cette œuvre monumentale …” (Le Devoir, Montéal)
- “… hard to imagine a more persuasive account … Madge beautifully conveys the subtlety and transcendental beauty of Sorabji’s scoring … in the … many virtuosic sections … seems fully in command … Madge’s adventurousness … the accompanying booklet contains several opulently illustrated essays on the composer, the music and the pianist …” (Ovation)
- “Any listener has to be dumbfounded at what Geoffrey Douglas Madge has accomplished here …” (Stereo Review)