Bibliography: P–S

Payne, John: The Poetical Works of John Payne (2 vols.). London: privately printed, 1902. Reprinted, New York: AMS Press, 1970.
Peterkin, Norman: “A Note on Kaikhosru Sorabji”, in program notes for the concert by Yonty Solomon on 7 December 1976 in Wigmore Hall, London, pp.8–9. London: Park Lane Group, 1976.
Pirie, Peter: “The Search for Sorabji”, Music and Musicians, vol.28, no.3 (November 1979), pp.16–20.
Portsmouth, Earl of: Alternative to Death. London: Faber and Faber, 1943.
Posner, Bruce: Response to the Letter to the Editor from Alistair Hinton printed in Notes, vol.46, no.4 (June 1990), in Notes, vol.46, no.4 (June 1990), pp.1091–92.
Posner, Bruce: Review of Fantasiettina […], by Kaikhosru Sorabji, in Notes, vol.46, no.2 (December 1989), pp.511–12.
Posner, Bruce: Sorabji (BSc, Fordham University, 1975). Unpublished.
Rapoport, Paul: Opus est: Six Composers from Northern Europe. London: Kahn and Averill, 1978. New York: Taplinger, 1979.
Rapoport, Paul: “Sorabji returns?”, The Musical Times, vol.117 (December 1976), p.995.
Rimm, Robert: The Composer-Pianists: Hamelin and The Eight. Pompton Plains, New Jersey: Amadeus Press, 2002.
Roberge, Marc-André: “The Busoni Network and the Art of Creative Transcription”, Canadian University Music Review, vol.11, no.1 (1991), pp.68–88.
Roberge, Marc-André: “Kaikhosru Shapurji Sorabji (1892-1988)”, Sonances, vol.8, no.2 (Winter 1989), pp.30–37.
Roberge, Marc-André: “Kaikhosru Shapurji Sorabji, compositeur sui generis”, Sonances, vol.2, no.3 (April 1983), pp.17–21.
Roberge, Marc-André: “Producing Evidence for the Beatification of a Composer: Sorabji’s Deification of Busoni”, The Music Review, vol.54, no.2 (May 1993), pp.123–136.
Rubbra, Edmund: see Duncan-Rubbra, Edmund.
Sanderson, William: That which was Lost. London: Constable, 1930.
Scholes, Percy, ed.: “Sorabji, Kaikhosru”, in his The Oxford Companion to Music, 1st edition, pp.885–86. London: Oxford University Press, 1938.
Scholes, Percy, ed.: “Sorabji, Kaikhosru”, in his The Oxford Companion to Music, 8th edition, pp.557–8. London: Oxford University Press, 1952.
Scholes, Percy, ed.: “Sorabji, Kaikhosru”, in his The Oxford Companion to Music, 9th edition, pp.975–6. London: Oxford University Press, 1955.
Selver, Paul: Orage and The New Age Circle: Reminiscences and Reflections. London: George Allen and Unwin, 1959.
Sitwell, Sacheverell: “Kaikhosru Sorabji”, in program notes for the concert by Yonty Solomon on 7 December 1976 in Wigmore Hall, London, p.7. London: Park Lane Group, 1976.
Slonimsky, Nicolas, ed.: Baker’s Biographical Dictionary of Musicians, 6th edition. New York: Schirmer, 1978.
Slonimsky, Nicolas, ed.: Baker’s Biographical Dictionary of Musicians, 7th edition. New York: Schirmer, 1984.
Slonimsky, Nicolas, ed.: Baker’s Biographical Dictionary of Musicians, 8th edition. New York: Schirmer, 1992.
Slonimsky, Nicolas: Music Since 1900, 4th edition. New York: Charles Scribner’s Sons, 1971.
Sorabji, Kaikhosru Shapurji: [Animadversions […]]. Essay written about his works, published and unpublished, on the occasion of the microfilming of some of his manuscripts. Lacking the first three pages. Unpublished, [1953].
Sorabji, Kaikhosru Shapurji: Around Music. London: Unicorn Press, 1932. Reprinted without the errata sheet, Westport, Connecticut: Hyperion Press, 1979.
Sorabji, Kaikhosru Shapurji: Collected Writings from Five Serial Publications. Microfilm compiled by Paul Rapoport and Kenneth Derus. Unpublished, 1977.
Sorabji, Kaikhosru Shapurji: “The Greatness of Medtner”, in Nicolas Medtner, edited by Richard Holt, pp.122–32. London: Dennis Dobson, 1954.
Sorabji, Kaikhosru Shapurji: Mi contra fa: The Immoralisings of a Machiavellian Musician. London: Porcupine Press, 1947. Reprinted with an introduction by Donald Garvelmann, New York: Da Capo Press, 1986.
Sorabji, Kaikhosru Shapurji: “Modern Piano Technique”, The Sackbut, vol.1, no.3 (July 1920), pp.116–23.
Sorabji, Kaikhosru Shapurji: “Oriental Influences in Contemporary Music”, in The Chesterian, new series, no.3 (December 1919), pp.83–86.
Sorabji, Kaikhosru Shapurji: “Sexual Inversion”, in The Medical Times (London), vol.49 (October 1921), pp.148–49.
Sorabji, Kaikhosru Shapurji: “The Songs of Francis George Scott”, Scottish Art and Letters, vol.1 (1944), pp.22–23.
Sorabji, Kaikhosru Shapurji: “The Validity of the Aristocratic Principle”, in Art and Thought, edited by K. Bharatha Iyer, pp.214–18. London: Luzac, 1947.
Spengler, Oswald: The Decline of the West, translated by Charles Francis Atkinson. London: G. Allen, 1922.
Steane, John: “English Opera Criticism in the Interwar Years: Sorabji of The New Age”, Opera, vol.36 (June 1985), pp.623–31.
Stevenson, Ronald: “Opus clavicembalisticum — A Critical Analysis”, in the booklet with the recording of Opus clavicembalisticum by John Ogdon, pp.28–49. Sevenoaks: Altarus (AIR-CD-9075), 1989.
Storr, Anthony: Solitude: A Return to the Self. New York: The Free Press, 1988.